***
All the electronic tracks posted in here are part of a collection of studies I made throughout a couple years, in the past.
I was interested in exploring sonic and psychoacoustic possibilities.
All this music is consciously unreleased, as I feel it's not ripen yet.
I am now working and developing my first solo project, where some aspect of these studies will be explored and pushed even further
***
.—
(2022)
- studio n.5 -
Exploring physicality and energetic craft of sound, and our body response to it.
Was hard, was dark, was scary at times.
Psychosomatic.
.— is a gesture
.— is a shape
Nero
(2021)
- studio n.3 -
I noticed flashes can help.
Piano helps too.
*_e R r 0 r!_*
(2019)
- studio n.2 -
I think of sound as energy.
Referring not only to a scientific point of view, but also an imaginative one.
Commitment and research towards the idea of micro and macro dimensions and details.
​
As well as tridimensionality of sound.
I can control time
(more clearly: time perception)
I came along with the fact that a same sound, presented in different ways, can be perceived longer or shorter.
In this project there are over 250 channel tracks, and I used around 600-700 different sounds.
MAdna
(2022)
- studio n.4 -
Beats help too.
One bit.
Low resolution.
Slightly trashy.
EYE CONTACT
(2020)
- studio n.1 -
I saw her.
So I made this.
Could be happier, but apparently couldn't.
Could be prettier, but beauty is not objective.
Still, electrifying.
It was just a draft.
BLANKSCAPE
(2019)
It's all made with a piano.
7 different piano sounds recorded in live with two condenser microphones and a binaural one.
This is not mastered.
What is micro and what is macro?
A men is slowly walking around and searching for something.
Use headphones.